Creative Crossroads: Art, Ritual, and the Turning Wheel
Cuppa & Catch-Up
Welcome back. Pour yourself a cuppa and settle in, it’s time for a little studio and life catch-up, some witchy musings, and a whole lot of creative magic. Let’s dive in.
This fortnight has been full….
Colour Swatches
Hello, Creative Alchemists,
We find ourselves in a curious liminal space, between equinox and Samhain, as the moon begins its quiet return to shadow. The energy is shifting, and I can feel it echoing through both my body and my creative practice.
Cuppa & Catch-Up
Welcome back. Pour yourself a cuppa and settle in, it’s time for a little studio and life catch-up, some witchy musings, and a whole lot of creative magic. Let’s dive in.
This fortnight has been full, Easter came and went, and while it’s a big part of the broader cultural calendar, it’s also a bittersweet time for many pagans. The first Sunday after the first full moon following the autumn equinox, so clearly rooted in ancient seasonal rhythms. It’s hard not to feel the tension when the most significant day in the Christian calendar echoes such overtly pagan symbolism, especially when we remember the women and wise folk persecuted in the church’s rise to power. I always try to walk a respectful line, acknowledging the past while recognising that I have family of many different faiths.
Sadly, this time, that wasn’t received as I’d hoped. In a post on my personal Facebook page I was challenged by a prominent member of the pagan community who felt my words were gaslighting or incorrect. It hurt. Not because we disagreed, that happens, but because they chose to attack rather than seek to understand. I share this because it’s important to remember we can hold nuance. We can respect others and still speak our truth with care.
On the studio front, it’s been all systems go! The countdown is on for the Creativa Exhibition with Collective 24 next month. We’re finalising the opening event, the promo is rolling out, and suddenly it all feels very real. Months of planning are now becoming something tangible. I think part of me thrives under deadline pressure, a hangover from art school, maybe?
I’m writing this between layers drying, and I’ve got a feeling there’ll be a couple of midnight sessions coming up. Make sure you’re following Collective 24 on Facebook and Instagram and RSVP to our opening event over on Facebook, we’d love to see you there!
Creativa by Collective 24
Art Witch Musings
This week’s Witchy Little Things was all about cleansing and clearing our art spaces, something that felt particularly timely as I recently had to reset mine to make space for my new electric wheelchair. It was more than just a rearrange; it was a full energetic clearing.
I talked about calling in the elements:
Earth — placing grounding crystals around my space.
Air — incense smoke curling through the air, shifting the energy.
Fire — lighting a candle with intention.
Water — misting with moon water I’d infused with lavender oil.
As promised, here’s my simple Lavender Moon Water Spray recipe:
Start with moon-charged water (leave a jar of water out under the full moon overnight).
Add a few drops of lavender essential oil.
Drop in a couple of clear quartz chips for extra energetic amplification.
Pour into a spray bottle and shake gently before use.
I use it to cleanse my space, my tools, or even myself when I’m shifting from mundane to magical.
Art Journal Prompt
Taurus New Moon Prompt:
Taurus invites us to slow down and reconnect with the physical world, to root into what feels nourishing and real.
Where in your life are you craving more stability, beauty, or comfort? What would it look like to honour your creative practice as a sacred ritual of embodiment, not just something you do, but something you feel?
Use this moon to ground yourself in your creative desires and don’t rush. Taurus teaches us that what grows slowly, lasts.
Art Journal Page
Artist of the Season: Yayoi Kusama
I had the absolute joy of seeing her work at the NGV recently, and it was like stepping into another universe, one where repetition becomes rhythm, and colour becomes incantation.
Even more special, I took my grandkids with me. Mr 3 was totally captivated by the colours, dancing through the space with wide-eyed wonder. Miss 7 asked such incredible questions, curious about the artist, the meaning, the why. Watching them engage with art in their own ways made the whole day unforgettable. That’s the magic, watching creativity spark across generations.
Yayoi Kusama was born in 1929 in Matsumoto, Japan. She began painting as a child, channelling the vivid hallucinations she experienced polka dots, infinite fields, strange patterns that engulfed her vision. Her art became her sanctuary.
In the 1950s, she moved to New York, a woman of colour in a deeply racist, male-dominated art world. And yet she carved out space with her mesmerising Infinity Net paintings and radical performance art.
Her work tackled trauma, mental illness, the body, and the oppressive systems around her, often decades ahead of her time. Many of her ideas were mirrored (and sometimes outright copied) by her male contemporaries. Still, she persisted.
In the 1970s she returned to Japan and checked herself into a psychiatric hospital where she still lives, continuing to create from a studio nearby.
Now in her 90s, Kusama is an icon, her mirrored rooms and giant pumpkins attract global audiences. She is a symbol of radical creativity, endurance, and the magic of trusting your inner world.
Her work reminds me that art can be loud, messy, obsessive, deeply personal and still powerful beyond measure.
Cycles of Craft Update
As we move closer to Samhain here in the Southern Hemisphere, I’ve been feeling that subtle shift, the soft thinning of the veil, the pull toward memory and honouring.
It always strikes me how this aligns with ANZAC Day, a moment in our national calendar where we collectively pause to remember those who served and sacrificed. In my family, this is deeply personal. Every generation has had someone step forward during times of conflict, believing they were protecting their families and their way of life. Some never returned. Others came back with the ghosts of war in tow.
For me, ANZAC Day and Samhain sit side by side, both rooted in remembrance. Both asking us to honour our ancestors, their choices, their burdens, their dreams.
This will also be the theme of my Samhain Special Edition blog post next week, where I’ll go deeper into ritual, remembrance, and the creative magic of this liminal time. Stay tuned.
Dawn Service
Before you go
Want to wear a little Samhain magic? Head over to my Redbubble store and check out my Crow Series — inspired by this season of shadow and mystery.
For a deeper dive into the Taurus New Moon, head to my Facebook page, where I’ve posted my latest astrology insights as part of the #CyclesOfCraft series.
And don’t forget to follow me on Instagram and Facebook to stay in the loop with daily updates, behind-the-scenes chaos, and sneak peeks of what’s on the way.
Thanks for spending some time in the studio with me. However you’re moving through this season, I hope you’re finding ways to honour your own pace. I hope to see some of you at the Creativa exhibition, it’s going to be such a celebration of creativity and community. Until then, keep crafting your magic the world needs your light.
Wishing you a grounded, creative, and nourishing Taurus season. See you next week for the Samhain Special Edition.
P.S. If you haven’t yet, I’d be so grateful if you could vote for my torso sculptures in the Stop It Before It Starts Art Show’s People’s Choice Awards. Voting is open until April 30, and every vote truly counts. You can view all entries and cast your vote here.
New Beginnings & Liminal Spaces: A Fresh Chapter for the Blog
This blog is evolving. Astrology will always be woven into my work, but instead of dedicating space to it in these posts, I’ll now be integrating it into my #CyclesOfCraft updates on social media. This shift allows the blog to become more personal, a space for deeper reflections, creative insights, and the intersections of art, magic, and disability. Let’s dive in.
Hello Creative Alchemists,
The Aries New Moon is here, marking the astrological new year, a time of bold beginnings, fresh energy, and transformation. It feels like the perfect moment to step into something new, not just in my creative practice but in how I share my journey with you.
This blog is evolving. Astrology will always be woven into my work, but instead of dedicating space to it in these posts, I’ll now be integrating it into my #CyclesOfCraft updates on social media. This shift allows the blog to become more personal, a space for deeper reflections, creative insights, and the intersections of art, magic, and disability. Let’s dive in.
Cuppa & Catch Up
Grab a cuppa, light some incense (or a candle if that’s your vibe), and settle in, it’s time for a catch-up on what’s been happening in the studio and beyond.
There’s been a lot of movement lately, both in my creative practice and within Collective 24. We’ve submitted to more galleries, looking for new opportunities to exhibit. But as always, accessibility is a key factor, it’s not just about finding a space; it’s about ensuring it’s a space where all artists and audiences can fully participate. It’s something we’re mindful of, and as we put our work out there, we also advocate for the changes we want to see.
I’ve also started profiling each of our amazing artists on the Collective 24 social media pages. If you haven’t already, check them out, give them a follow, and share their work, building community and uplifting each other is more important than ever. Let’s spread the love.
It feels like this is a moment of expansion, putting work out there, seeing where it lands, and trusting the process.
Speaking of process, I’ve been continuing my experimental mixed media work with texture. Right now, my practice feels deeply aligned with the Process Art movement, where the act of making is just as important as the final piece. There’s something freeing about focusing on materials, movement, and the unknown, letting the work emerge rather than forcing an outcome.
I’ve been looking at the works of Eva Hesse, particularly her studio experiments, and I find her approach fascinating. She wasn’t just creating finished pieces, she was engaging in a dialogue with her materials, pushing boundaries, embracing imperfection, and allowing each piece to evolve naturally. That resonates deeply, especially as a disabled artist. Some days, working with my body rather than against it means letting go of rigid expectations and allowing adaptability to guide me.
On a more personal note, the shift in seasons is making a difference in how I work. Cooler days mean I can spend longer in the studio, getting lost in the rhythm of making. I’ve also been diving into new pieces, including my submissions for the Incognito Art Show. Themes of hidden power, liminal spaces, and transformation keep showing up in my work, almost like they’re leading me somewhere… which brings me to Liminalis.
Art Witch Musings
Some pieces come from a clear vision. Others emerge from the in-between spaces, between light and shadow, intention and instinct. Liminalis was one of those works.
I didn’t set out to paint Hecate, yet there she was, a woman divided, one half in darkness, one in light, a golden line marking the threshold between them. A figure of transition, transformation, and power. As I worked, unknowingly, I was listening to a podcast about her. The connection wasn’t conscious at the time, but looking at her now, I know this piece was always meant to be hers.
Hecate is the goddess of the crossroads, the keeper of liminal spaces, the torchbearer who guides us through shadow and into truth. And in this eclipse portal, where we stand between what was and what will be, she feels especially present.
So today, I dedicate Liminalis to her. She will become a permanent devotional piece, holding space for transformation and deep knowing.
This blog is also shifting, moving deeper into my identity as an art witch. I want to explore:
Bringing ritual into my art, charging pigments, setting intentions, working with moon cycles in a way that aligns with my practice.
Using my art journal as a grimoire, documenting spells, insights, and seasonal reflections through mixed media.
Creating more devotional pieces that honour the spirits and goddesses I work with.
Exploring art as spellwork, sigils, correspondences, and the energy woven into every brushstroke.
This space will now hold those reflections, the ways creativity and magic intertwine, and the sacred process of making.
Liminalis
Art Journal Prompt: Honouring the Threshold
In this time of transition—seasonally, astrologically, and personally—let’s explore our own liminal spaces.
Prompt: Where in your life are you standing at a threshold? What is shifting, transforming, or waiting to emerge? How does it feel to be in between?
Try journaling, sketching, collaging—whatever medium calls to you. And if you feel like sharing, tag me!
Open art journal on a desk, its pages filled with sketches, handwritten reflections, and collaged elements. Surrounding it are art witch essentials: a burning candle, dried herbs, cup of tea, ink bottles, paintbrush, tarot cards.
Artist of the Season: Alexandra Grant - Language & Symbolism in Art
Each season, I want to highlight an artist whose work resonates with me. Right now, I’m deeply inspired by Alexandra Grant, a Los Angeles-based artist whose work explores language, mythology, and interconnectedness.
Grant works primarily with text and symbols, using painting, drawing, and sculpture to create visual conversations. Her work often investigates the relationship between words and images, drawing on literature, poetry, and philosophy. One of her most notable collaborations has been with writer Keanu Reeves, where she transformed his words into layered, evocative pieces.
Her use of language as a visual medium is something I find fascinating. Words, much like symbols in witchcraft, carry an energy beyond their literal meaning. They hold weight, memory, and magic. Grant’s ability to merge text with image feels like a modern form of spellwork, art that speaks on multiple levels.
If you’re interested in artists who blur the lines between writing and visual storytelling, I highly recommend looking into her work. Her "Antigone 3000" series or her collaborations with writers like Michael Joyce. Her ability to translate the abstract into the tangible is something I find incredibly inspiring. Find out more about Alexander here.
Autumn Vibes
As the season shifts, so does the soundtrack. I’ve put together an Autumn Playlist on Spotify, moody, atmospheric, and perfect for creative sessions. You can listen and follow it here:
Let me know what songs are on your seasonal rotation!
Closing Thoughts & Where to Find Me
New seasons bring new energy, and I’m excited for the direction things are flowing, both in the studio and in community This shift feels right. More personal. More aligned. I’m excited to see how this space evolves, how it becomes a home for deeper conversations about art, witchcraft, and living as a disabled artist navigating a world that often wasn’t built with accessibility in mind.
✨ If you’re looking to bring a little of that energy into your space, check out my Redbubble shop for prints, stickers, and more: [Link to shop]
✨ Want to keep up with Collective 24 and support fellow artists? Follow us on Instagram and Facebook
✨ To stay up-to-date with all things seasonal and cyclic, including astrology updates (think new and full moon reports), check out my #CyclesOfCraft updates on socials. You’ll find #StudioUpdates, behind-the-scenes reels, and more. Also, keep an eye out for #LittleWitchyThings and #ArtWitchTips, they’ll continue to pop up over there to help guide your creative and spiritual practices. Instagram and Facebook.
✨ And as always, let’s keep the conversation going, drop a comment, share your journal pages, and let me know how this season is unfolding for you.
Here’s to bold new beginnings.
Until next time, stay creative and stay magical.