October Art Witch Journal: Creative Symbolism
This season brings both balance and intensity: eclipses, equinox energy, super moons, and the steady hum of transformation beneath it all. It feels like standing at a threshold, one foot in shadow and one in light, asked to trust the flow while holding close what truly matters.
Wherever you are reading this in your studio, curled up with a cuppa, or catching a quiet moment between the busyness of life, may these words offer reflection, nourishment, and inspiration for your own practice.
Grab a cuppa and settle in….
Art Witch Desk covered in Art Supplies and Journals
Hello creative alchemists,
As the new moon rises and we step into October’s shifting tides, I welcome you into this month’s Art Witch Journal. This is our gathering place, a moment to pause, breathe, and align with the unseen threads that weave through art, magic, and daily life.
This season brings both balance and intensity: eclipses, equinox energy, super moons, and the steady hum of transformation beneath it all. It feels like standing at a threshold, one foot in shadow and one in light, asked to trust the flow while holding close what truly matters.
Wherever you are reading this in your studio, curled up with a cuppa, or catching a quiet moment between the busyness of life, may these words offer reflection, nourishment, and inspiration for your own practice.
Grab a cuppa and settle in.
Cuppa & Catch Up - Personal Reflections, Community Connections, and Studio Life
This past month has been a challenging one for me personally. I’ve been navigating a flare-up of symptoms that has kept me away from the studio, making it hard to show up for my own practice and live up to the routines I share here. Some days, simply being present with my art has felt like too much, and that has been a tough space to sit with.
On the practical side, I’ve finally managed to arrange community transport to get me to and from appointments in my wheelchair. The logistics have been tricky, but I’m hopeful that this will make life a little smoother going forward.
One bright spot has been the Gardening sessions at our Community Garden. These have been nourishing in more ways than one, feeding both my soul and my diet. There’s something deeply grounding about wheeling down to pick fresh produce and bringing it back to my apartment to cook on the spot. The chance to connect with other residents has been equally precious. Living with a disability and chronic health issues can be isolating, so this sense of community has been incredibly important.
I’ve also been planning a piece for the Merri-bek Summer Show. The theme is Love in Crisis. I had hoped to submit my Kintsugi of the Soul collection, but works must have been completed in 2025, so I’m now creating something entirely new. Watch this space!
I’m hoping to attend an Art Workshop at the local community house this week as well. Like the gardening group, it’s a space where I can connect with others, share ideas, and feel that sense of creative community that is so important. It’s one of the benefits of living in Women’s Housing; they recognise the value of community and connection.
On a more personal note, I had the joy of attending my granddaughter’s school play last week. It had been a while since I’d spent time with them, and it was wonderful to share in the fun and excitement of the production. With school holidays now underway, I’m looking forward to spending a couple more days with them later this week.
Art Witch Musings – Chapter Six
Navigating the Unseen: Symbols, Dreamwork, and Creative Alchemy
Even in months when the studio feels far away, the unseen currents of creativity are still flowing. Beneath the surface of everyday life, beneath the brushstrokes and the clay, the threads of the unseen hum steadily, insistently. They are currents older than time, older than thought, older than words. They move in cycles, in symbols, in the cadence of dreams, and in the alchemy of transformation. To step into them is to step sideways from the ordinary world and into a liminal rhythm where intuition, instinct, and insight are the only guides.
For me, these currents are both map and companion. Theosophy, the occult, and esoteric study are not dusty relics of the past, they are languages of connection, tools for navigating the invisible. They are lenses that allow me to read the patterns of the world and the symbols hidden within it. Although, I do not follow tradition blindly. I do not worship text over intuition, nor ritual over revelation. I enter these currents as a conversation: I bring my body, my energy, my attention, and I ask questions. Answers come not in lectures or words, but in images that appear in dreams, in repeated shapes, in subtle shifts of energy or light, in the pull of colour or texture.
Symbols are the language through which my work listens and speaks. A spiral scratched into clay, a streak of gold across a page, a thread twisted through fabric, they are both vessel and key. They hold memory, intention, and magic. I pay attention to how symbols appear, how they echo across media, across time, across the liminal spaces where my art breathes. In this way, my work becomes a spell of observation, a meditation, a translation of the unseen into form.
Dream work is central to this practice. Dreams do not simply inspire; they instruct. They guide the rhythm of the studio, the selection of materials, the shape of a piece yet unborn. Archetypes rise from the unconscious, bringing both comfort and challenge, and I engage with them as I would with a trusted companion. I transcribe, sketch, and mark their presence. I honour their messages by letting them shape the work without forcing clarity, without insisting on literal interpretation.
Spiritual alchemy informs every aspect of my process. Not the sort that promises gold or power in the worldly sense, but the inner alchemy of transformation, the transmutation of pain into image, fatigue into texture, isolation into communion. I work in stages of dissolution and recombination, layering and un-layering, allowing materials to speak their own truths. My studio is the alchemist’s lab; my hands, the instruments; my attention, the fire that transforms raw matter into something charged with meaning.
The sacred feminine flows through this practice as both lineage and guiding principle. I trace the unrecorded histories of women who practiced magic in secret, who wove spells into daily life, who left traces in textiles, herbals, and symbols. I do not attempt to reconstruct them; instead, I commune with their echoes, threading their presence into my work. It emerges in texture, in repetition, in rhythm. It emerges in the reverence with which I approach each material, each mark, each gesture.
Magic, in my practice, is inseparable from politics. To wield knowledge, to honour unseen forces, to embody a form of wisdom that refuses erasure, this is resistance. Every mark I make is a declaration that the unseen matters, that women’s voices matter, that disability, intuition, and devotion are not optional; they are radical. The magic of art is a reclamation of agency, a quiet revolution enacted in studio corners and liminal spaces.
Symbols, alchemy, and dreamwork converge to create pieces that are both talisman and testimony. Each work carries residue of the unseen currents, the layered conversations between self and other, visible and invisible, spirit and matter. A piece is never merely a painting or sculpture; it is a spell cast in devotion to insight, transformation, and the honouring of thresholds. It is a record of time spent listening, noticing, and translating.
Yet, even as the work takes form, the process continues. The studio is never silent. The currents keep moving. The symbols speak anew with every glance, every touch. I am always reading, always attuning, always engaged in the slow, recursive dance that is my practice.
This chapter of work, this weaving of occult, spiritual, and symbolic threads, is not an end, nor a revelation fully realised. It is a living continuum, a meditation, a conversation with forces that do not rush. It is devotion embodied, patience enshrined, and the subtle, profound acknowledgment that art, at its most potent, is not separate from life, magic, or the sacred.
To work in this way is to stand at a threshold. To be both maker and medium. To trust that the unseen will inform the seen, and that the act of creation itself is a spell that shapes not only the work but the artist, and perhaps, in some small way, the world around them.
Art Witch Desk with Oracle Cards, Journal and Cuppa
Artist of the Season – Faith Ringgold
Story Quilts, Resistance, and the Power of Visual Narrative
This season I’m honouring the extraordinary Libran artist, author, and activist Faith Ringgold (1930–2024). Born and raised in Harlem, New York, Ringgold grew up surrounded by creativity, her mother was a fashion designer, her father a storyteller and it was in this environment that her lifelong relationship with fabric, colour, and narrative first began. She went on to study art and education at City College of New York, later teaching while developing a practice that would weave together painting, quilting, sculpture, performance, and writing.
Ringgold’s work is uncompromising in its honesty and deeply generous in its vision. Her early series, The American People (1963–67), painted at the height of the civil rights movement, reflects directly on racial violence, social upheaval, and the fight for equality. Perhaps the most famous piece from this series, American People #20: Die (1967), is a searing portrayal of chaos, grief, and resilience. It remains one of the most striking works of the 20th century, a raw and urgent call to witness.
From the 1980s onwards, Ringgold turned increasingly to her now-iconic story quilts. Works like Tar Beach (1988) blend painting, pieced fabric, and hand-written text to tell stories of Black family life, dreams, and freedom. Quilting, historically dismissed as “women’s work”, became a radical medium in her hands, transforming domestic craft into political and spiritual art. These quilts are visual talismans, carrying both ancestral memory and imaginative flight. Tar Beach was later adapted into a children’s book, ensuring her vision could be shared across generations.
Her creative reach didn’t stop there. Ringgold wrote children’s books such as Aunt Harriet’s Underground Railroad in the Sky and My Dream of Martin Luther King, as well as her memoir, We Flew Over the Bridge. Across every form she touched, the same threads run through resistance, storytelling, visibility, and transformation.
For me, what makes Ringgold so resonant this season is how her art stands at the threshold of the visible and invisible. She gave form to what was often silenced or unseen, the lived experiences of Black women, the resilience of communities, the power of dreams. Her quilts and paintings blur the boundaries between art and craft, personal and political, memory and imagination. They remind me that art is both a ritual of remembrance and a spell of becoming.
Faith Ringgold’s legacy is a reminder that our creativity is never separate from our politics, our healing, or our spiritual work. Her practice shows us that we can take the most ordinary of materials, fabric, thread, story and charge them with power, beauty, and resistance. This season, I’m carrying her lesson that art can hold memory, demand justice, and imagine liberation all at once.
Art Journal Prompt - Symbols as Thresholds
Exploring Your Dreams and Symbols Through Visual Journaling
This month, I invite you to explore the symbols that appear in your own life as guides and thresholds.
Think of Faith Ringgold’s story quilts, each image, colour, and fragment of fabric becomes more than material; it becomes memory, resistance, and imagination stitched into form. In your own journal, allow symbols to emerge in the same way: not as static images, but as living companions.
Begin by reflecting on a recent dream, repeated shape, or recurring image that has caught your attention. Don’t overthink it, it might be a spiral, a bird, a doorway, a piece of fabric, or even a phrase someone spoke.
On your page, translate this symbol into visual form. You could draw it, collage it, stitch it, or layer colours and textures until it takes shape. Let it repeat, fragment, or morph. Allow the materials themselves to guide you, just as alchemy transforms one state into another.
Once the image is there, sit with it and ask:
· What threshold does this symbol represent?
· What am I leaving behind, and what am I stepping toward?
· How does this image balance the visible and invisible in my life right now?
Write a few lines alongside your work, not as an explanation but as a conversation, the beginning of a dialogue with the unseen currents moving through your own creative practice.
Remember: this isn’t about creating a polished piece. It’s about listening, noticing, and honouring the subtle languages that want to speak through you.
Art Journal Prompt
Little Witchy Things
Practical Magic for Daily Life and Creative Connection
As we move into this new month, I’ve gathered a few small practices to help you attune to the subtle currents of life and creativity. These are gentle invitations to notice, reflect, and bring magic into everyday moments.
One way to connect with the unseen is by mapping your currents. Pay attention to recurring symbols, sensations in your body, or patterns in your dreams. Capture them in a journal, sketchbook, or with simple shapes and colours. By observing these threads, you strengthen your awareness of the energies guiding your creativity and life.
Another practice is embodying intention in ordinary actions. Whether you’re washing dishes, brewing tea, or watering a plant, infuse the moment with presence, gratitude, or a whispered intention. These small, mindful acts transform everyday routines into threads of magic, grounding you in the rhythm of life and creativity.
You can also explore symbolic offerings. Choose a small object, a stone, feather, leaf, or ribbon, that resonates with your current energy or aspiration. Hold it, notice its texture, colour, and weight, and place it somewhere meaningful in your home, studio, or altar. Let it serve as a reminder of the energy you wish to cultivate this month.
Finally, listen to your dreams as collaborators in your creative practice. Before sleep, set an intention or ask a question. Upon waking, note any images, symbols, or impressions. Allow these messages to inspire your art, journaling, or daily reflections. Dreams are guides that speak in a language of texture, colour, and subtle energy, pay attention, and they will inform your creative path.
Art Witch Desk
Cycles of Craft - Libra Season, Eclipses, and Astrological Guidance for October
We enter Libra Season with a bang! The month begins under the Solar Eclipse and Spring Equinox on September 21 and 22, a powerful alignment that invites both reflection and renewal. The eclipse asks us to trust ourselves and our inner guidance, while the equinox brings the balance of light and dark, marking a perfect moment to plant seeds for what we wish to grow over the coming months. Together, these energies set the stage for intentional creation, grounding, and alignment.
On September 24, Mars enters Scorpio, bringing a deep, focused intensity to our actions and desires. Mars in Scorpio encourages us to move with determination, dive beneath the surface of situations, and confront what we’ve been avoiding. This energy can fuel transformation, but it asks for patience and trust in the process, rather than forcing outcomes.
Looking ahead, October 7 brings a Super Full Moon in Aries, illuminating our passions, courage, and personal drives. This is a moment of heightened energy and clarity, a chance to release what no longer serves and step more fully into your authentic power. Around the same time, Mercury enters Scorpio, sharpening intuition, deepening conversations, and encouraging us to communicate with honesty, insight, and emotional depth.
On October 13, Venus moves into Libra, softening our relationships and interactions with harmony, beauty, and grace. This energy highlights diplomacy, self-care in partnership, and the art of finding balance within connection. It’s a gentle reminder that nurturing others begins with nurturing ourselves.
Finally, the New Moon in Libra on October 21 offers a fresh start in alignment with balance, fairness, and creative partnership. This lunar cycle invites reflection on where harmony is needed in our lives and what intentions we wish to cultivate as we move toward the light half of the year. It is a time to plant seeds, both in art and life, trusting that what we sow now will grow into meaningful, radiant expression.
New Moon, Eclipse, Equinox
Oracle Insights - Tuning Into Your Own Balance and Intuition This Month
This month’s energies invite us to pause, listen, and find balance within shifting ground. For October, I suggest a three-card spread that mirrors the themes of Libra season.
The Spread
· What do I need to surrender to right now?
· What is seeking to be nourished or birthed within me?
· Where am I being called back into balance?
When you lay your cards, sit with them as symbols and companions rather than rushing for answers. Note how they speak to one another, how they echo patterns in your dreams, your body, or your studio practice.
Keep this spread nearby throughout the month. You may find that the cards reveal new layers as the moon shifts, as planets move, as your own perspective changes. It is not a one-time reading but a map to walk with, a living dialogue between you, your intuition, and the unseen currents of October.
Oracle Card Reading
Seasonal Vibes & Studio Soundtrack
Music to Inspire Your Creative Practice and Inner Flow
This playlist is a kind of sonic altar, a collection of tracks that are guiding my heart, igniting inspiration, and holding space for the liminal, the slow, and the magical moments in my studio this season.
You’ll hear songs that echo both light and shadow, grounding rhythms and ethereal voices, songs that feel like dusk meeting dawn. They move with ritual, dream, longing, everything I need right now to lean into the unseen currents of creativity, trust, and transformation.
If you’re creating, walking, resting, or simply breathing, may these tracks feel like companions. Let them hold you steady, open space inside, and carry you forward.
Closing the Circle & Wrap-Up
Spring Equinox, Special Edition Blog, and October Studio Highlights
As we close this circle and step into the fresh rhythms of this new moon cycle, may you carry with you the balance, clarity, and courage to shape what’s next. October asks us to trust the unseen currents, tend to the seeds we’ve planted, and honour both the endings and beginnings that mark this turning of the wheel.
The Spring Equinox brings its own magic, a moment of perfect balance between day and night, reminding us that growth and stillness are equally necessary in our creative lives. If you’d like to explore the energies of Ostara more deeply, be sure to check out my Special Edition Blog Post dedicated to this seasonal celebration.
For more in-depth insights, you’ll find weekly Little Witchy Things and Cycles of Craft posts on Substack and over on the socials, guiding you step by step through the unfolding month.
And before I go, a little note from the studio, there’s currently a sale in my Redbubble store. If you’ve had your eye on my crow artworks, now’s the perfect time to bring one home, especially with Halloween just around the corner.
Until next moon, may your path be creative, your practice nourishing, and your days threaded with magic.
AI Image Disclaimer:
Some images in this post were generated with the assistance of AI. I use these tools to support my creative practice, particularly in ways that accommodate my chronic health and disability, helping me explore ideas and visual concepts when physical limitations make traditional methods challenging. These images are part of my process, not a replacement for handmade art.
Art Witch Musings: Embracing Rest and Visibility This Leo Season
Hello, my Radiant Creative Alchemists,
This month, under the Leo New Moon, I’ll be thinking about what it means to be seen and what it means to refuse visibility on someone else’s terms. I’m sitting with the tension between being overlooked and being hyper-visible, especially as I navigate the world as a disabled artist. How can I reclaim space without performing? How can I honour slowness, rest, and deep presence as sacred acts of resistance?
As I sink further into winter, I’m letting these questions shape me, not with urgency, but with care. Letting the unseen speak. Letting new forms of magic rise from the quiet.
An Art Witch’s Desk covered in Art Journals and Art Supplies
Hello, my Radiant Creative Alchemists,
This month, under the Leo New Moon, I’ll be thinking about what it means to be seen and what it means to refuse visibility on someone else’s terms. I’m sitting with the tension between being overlooked and being hyper-visible, especially as I navigate the world as a disabled artist. How can I reclaim space without performing? How can I honour slowness, rest, and deep presence as sacred acts of resistance?
As I sink further into winter, I’m letting these questions shape me, not with urgency, but with care. Letting the unseen speak. Letting new forms of magic rise from the quiet.
Cuppa & Catch-Up
This month, I’ve been steeped in change, the kind that feels both tender and expansive. I officially handed back the keys to my old flat. That little space held me through some hard seasons, and while it no longer met my needs, I’ll always be grateful for the safety it offered when I needed it most. My landlords were incredibly supportive, helping make it as comfortable as possible, but it was time to move on.
And move on I have. I’ve now settled into my new, accessible apartment and I’m slowly beginning to stretch back out into the world again. One of the biggest changes has been the arrival of my new chariot, a Quickie Q100 R electric wheelchair! I haven’t been able to go out alone in over a year, and this chair marks the beginning of a new chapter of independence. I’m already imagining all the little adventures ahead. It hasn’t been the smoothest start (is it ever?), and I’m still navigating the barriers that come with living in a world not designed for bodies like mine. But there have also been some really beautiful moments and kind humans along the way.
One of the highlights of this month was finishing the Speakers Bank Content Creation Workshop I’ve been doing over the past couple of months. We explored storytelling, filming, lighting, and editing, all through the lens of advocacy and lived experience. A huge moment for me was meeting Carly Findlay, who spoke to us about the power of telling our own stories as disabled people. We each filmed moments from our daily lives, and the final short film will be released soon, I’ll make sure to share it across my socials when it’s out.
Another exciting moment, all three of my pieces in the Incognito Art Show have sold! I’m so proud to be part of an initiative that raises money to support other disabled artists doing what they love. It’s such an honour to contribute in this way.
I also celebrated my third singleversary. Life doesn’t always unfold the way we expect it to, but there’s something wild and freeing about carving out a new path. I’m embracing the adventure, even if I don’t always know where it’s headed.
There were moments of connection too, a warm Tetula Zoom catch-up with my Collective 24 crew, and a lovely afternoon spent with neighbours through the Residents’ Community Garden Group. We planted out some new beds, and I can’t wait to watch them grow.
I also had a brilliant night out with a dear friend at the State Theatre’s Playhouse to see Julia, an incredible performance by Justine Clarke about Julia Gillard and her iconic Misogyny Speech. Highly recommend if you get the chance, it was powerful, moving, and deeply resonant.
My first big adventure with the new chair was to Lightscape at the Royal Botanical Gardens. I got a taxi with my new driver Jama to the train station, met my sister, and we made our way into the city. It was cold but magical, Melbourne knows how to do winter well.
Back in the studio, things are gently unfolding. At the start of winter, I pulled out an older painting I hadn’t touched in a while and placed her back on the easel. I let her sit quietly for a while to see what she might have to say. Slowly, she started whispering again, and the brushes have found their way back to the canvas. It’s felt like catching up with an old friend, reacquainting ourselves and seeing where the conversation wants to go next.
I’m also working on several new pieces for upcoming exhibitions, one for the Eckersley’s Art & Craft Prize 2025, and another for the No Vacancy Annual Group Show (fingers crossed!). Wild Empress, my sculptural mask piece, has been submitted for the Metro Art X 2025 exhibition, and I’m keeping an eye out for the Merri-bek Summer Show, this year’s theme is Love in Crisis. Bonus points if you can guess what I’ve got in mind for that one…
All of these shifts, the move, the new wheels, the quiet return to old works, have had me thinking more deeply about the spaces I inhabit, and the ones that are still closed to me. As I navigate this next chapter, I’ve felt a quiet pull to begin weaving together parts of myself I’ve often kept separate, the artist, the witch, the disabled woman.
This month’s Art Witch Musings is the beginning of that braid. It’s a chapter about thresholds, visibility, and the quiet magic of saying no to systems that weren’t built for us. It’s about reclaiming space, on canvas, in ritual, and in the world.
Art Witch Musings
Chapter Four: The Unseen Realms—Disability, Visibility, and the Magic of Refusal
There is a strange alchemy that takes place in the space between invisibility and hyper-visibility, a dance I know all too well as a disabled woman. When I used to walk with my cane, the world pretended not to see me or told me to get out or the way. Now I’m in my wheelchair, it stares, or worse, speaks to me as though I’m not fully there. In these moments, I become both too visible and entirely unseen.
Living with Ehlers-Danlos Syndrome, chronic pain, and fatigue means I exist in a liminal space of endurance. I occupy the threshold between worlds, the world of the "well" and the world of the "unwell," the seen and the unseen, the valued and the discarded. This is a haunted place, echoing with the footsteps of those who came before me and those still navigating these thresholds. It is a place of immense magic.
Art Witchery, in this context, becomes more than creative expression, it becomes resistance. My art is a reclamation of space in a world that would rather I shrink. It’s the slow stitching of stories and symbols into existence when my body won’t let me move fast. It’s a sacred NO. A refusal to be erased. A refusal to perform productivity, neatness, or linear healing.
Invisibility is not just a social experience; it is a sensory one. It wraps itself around the body like fog, muffling and distorting perception. The way people speak to you changes. The way institutions treat you changes. Even your mirror, at times, turns away.
But in the studio, whatever form it takes in that season, I become visible to myself again. I don’t have to explain or justify. I don’t have to pass. My mobility aid isn’t a symbol of failure; it’s a throne. My slowness is not laziness; it’s ritual. My body is not broken; it’s a channel. The pain becomes pigment, the fatigue becomes texture, and the tremble of my hands shapes the lines of the piece. The mess is holy.
There’s a peculiar kind of power in seeing the unseen. In spending so much of my life being overlooked, I’ve learned to notice what others miss. The way a shadow curls around a rusted nail. The way certain colours feel like grief. The way silence hums with memory.
This attention, this devotion to the overlooked, is where my Art Witchery thrives. My materials are infused with presence. Fabric, thread, clay, bones, paper, rust, they all hold stories, and I listen. I don’t just work with materials; I commune with them. I ask what they remember. I ask what they want to become. In that exchange, I am reminded that I, too, am a material. I, too, am becoming.
To be disabled in a capitalist society is to be constantly reminded of what you cannot do, what you cost, how you slow things down. But in the rhythms of the wheel of the year, in the gentle waning of the moon, slowness is sacred. Rest is necessary. Wintering is part of the cycle.
So, I choose to live seasonally, not systemically.
This chapter of my work, of my life, is rooted in winter. Not just the external season, but the internal one. The long night. The liminal pause. The tender frost of recalibration. This is not a time for bloom or performance. This is a time to tend the roots, to compost the shame, and to find magic in the dark.
From this place, new work will emerge. But for now, I am learning to stay in the unseen spaces. To honour them. To let them shape me. Because even in the dark, perhaps especially in the dark, I am still here. I am still an artist. I am still a witch.
And I am watching.
Art Journal Prompt: Seen & Sovereign
This month, reflect on the parts of you that have been overlooked, by others, by systems, or even by yourself.
Where in your life have you felt unseen?
What would it look like to reclaim that space with love, not performance?
What parts of your body, story, or spirit have been told to shrink and how might they take up space in your art?
Use collage, paint, or pencil to create a portrait of your unseen self — not how others see you, but how you feel yourself in your own truth. Let it be messy. Let it be slow. Let it be sovereign.
For me, my wheelchair can be a throne. My space can be a ritual. My body, a living altar.
Start from here and see where it can take you.
Art Journal Prompt response showing a wheelchair as a throne
Artist of the Season: Maria Kozic
This Leo Season, I honour the fierce and visually electrifying work of Maria Kozic, a bold and uncompromising artist whose practice sits at the intersection of feminist critique, pop culture, and deeply personal storytelling. Born in Slovenia in 1962 and raised in Australia, Kozic emerged from the vibrant 1980s Melbourne art scene with a practice that pushed against the grain, mixing high-gloss aesthetics with low-brow references, punk sensibilities, and a fearless feminist edge.
Her iconic Kozic Kulture series fused painting, installation, and commercial-style graphics into works that confronted how women’s bodies are seen, sold, and mythologised. With a strong visual language rooted in cartoonish iconography and pop surrealism, Kozic’s work plays with sugar and spice, bright, fun, even humorous on the surface, but layered with deeper explorations of trauma, identity, violence, and defiance.
A migrant, a mother, and an outsider to traditional art world norms, Kozic has described her practice as a means of “telling the truth through fiction.” Her art becomes a space of reclamation and reinvention, a self-mythologising gesture that says: I will not be defined by you.
“I take what’s in the world, cartoons, fashion, symbols, toys, and I distort them until they speak my language. Until they tell my story.”
 — Maria Kozic
Her work has been exhibited nationally and internationally, and while she has lived in both Castlemaine and New York, her practice resists easy categorisation. Maria Kozic is a perfect embodiment of Leo energy, dazzling, daring, and never afraid to take up space.
This season, she reminds us that art doesn’t need permission to be powerful and that we, too, can distort the symbols of the world until they speak our language.
Little Witchy Things
This winter, I’ve been learning what it means to truly rest, not just collapse, but consciously choose softness. To not see stillness as stagnation, but as slow repair.
The energy is subtle this season, like roots weaving beneath the surface. It’s not showy or dramatic. It’s warm socks, afternoon sun on the floor, long cups of tea. It’s the small spells that help me return to myself when I’ve wandered too far, because I do. I forget. I push. I burn out.
This cycle, Little Witchy Things is a quiet ode to the slow work of reweaving. To creating space for nourishment, not productivity. To remembering that the body is not an obstacle to magic, it is the magic.
It’s not glamorous. It’s not always inspiring. But it’s real. It’s necessary. And it’s where the healing lives.
This month let’s start with the magic of doing less. Imagine what would happen if you didn’t have to catch up, fix everything, or have all the answers right now. What if less is enough? Try lighting a candle at dusk and simply saying aloud, “I release the pressure to perform. I honour the wisdom in rest.” Let that be your only spell, a quiet surrender to softness.
Next, I invite you to see your body not as an obstacle but as the altar of your witchery, the spell itself. Our bodies carry so much: stories, strength, vulnerability. Gently run a warm cloth over your hands, heart, or feet, and whisper, “Thank you for carrying me.” This simple act is a ritual of gratitude and acceptance.
Slow movement is also a form of magic. When your body asks for gentleness, listen closely. Try shifting your pace, whether that means stretching mindfully, sitting with intention, or simply breathing deeply. These small acts reconnect you to the flow beneath the surface and nurture your inner fire.
Finally, sometimes the most powerful magic is simply choosing to sink into the season’s quiet call. It might be a single candle’s glow, a moment of stillness, or the gentle recognition that slowing down is not a loss but a rhythm to be honoured. Each evening, notice one small thing that brought you a sense of calm or ease. Let these moments become your seasonal offering, a way to rest with the wheel of the year, not against it.
“Almost everything will work again if you unplug it for a few minutes… including you.”
 — Anne Lamott
This season, may we all learn to unplug gently. To choose warmth. To choose ourselves.
To light a candle not for manifestation, but just to remember the light.
Cycles of Craft — Leo New Moon & August Astrological Highlights
The Leo New Moon arrives on July 25 at 5:11 am AEST, ushering in a season of bold creativity, self-expression, and the courage to shine your unique light. I’ll be sharing a full, detailed New Moon report over on my Facebook page soon, keep an eye out for insights on how to work with this potent lunar energy.
As we move deeper into Leo season, mark your calendars for a very special Imbolc edition of the blog, dropping August 1. Imbolc is a sacred threshold between seasons, a time to kindle new beginnings and honour the returning light, perfect for grounding your creative intentions for the months ahead.
But August brings even more cosmic excitement with a dazzling Six-Planet Parade around August 10, 2025. Mercury, Jupiter, Venus, Uranus, Neptune, and Saturn will align in the morning sky, a breathtaking celestial gathering. Among them, Mercury, Jupiter, Venus, and Saturn may be visible to the naked eye, making this an awe-inspiring moment to connect with the wider universe and your own expansive creative spirit.
Adding to this, the Jupiter and Venus conjunction on August 11 promises an amplified energy of abundance, harmony, and artistic inspiration. The Moon will join this duo between August 19 and 21, making for a stunning triple alignment that invites deep reflection, relationship magic, and new opportunities for growth.
If you’re a night sky watcher, don’t miss the Perseid Meteor Shower peaking August 12-13. Known as one of the brightest meteor showers each year, it’s a powerful time for wishes, release rituals, and connecting with cosmic rhythms. Although the full Moon on August 9 may obscure some of the fainter meteors, the shower’s activity extends beyond its peak, offering darker nights around the August 23 New Moon to catch its magic.
Speaking of lunar events, the Full Moon in Aquarius will occur August 9 at 5:55 pm AEST. This air sign energy encourages us to embrace innovation, community, and forward-thinking ideas, perfect for charting new creative paths or breaking free from old patterns.
Between August 19 and 21, the Moon’s journey will take it close to Venus, Jupiter, and Mercury, creating a beautiful celestial dialogue that can inspire communication, connection, and creative collaborations.
Together, these planetary events invite us to harness the fierce Leo fire alongside expansive and visionary energies, a potent mix for growth, healing, and bold artistic expression as we move through late winter and into the light of spring.
Oracle Insights: For Leo Season
This Leo Season, invite yourself to slow down and connect deeply with your inner fire, the quiet spark that holds your creative magic steady through winter’s stillness. Use this simple 3-card oracle spread as a gentle guide to explore your path in the weeks ahead.
How to Use:
Find a quiet, comfortable space. Light a candle or hold a crystal if you like. Shuffle your oracle or tarot deck while focusing on these questions. When you’re ready, draw three cards, laying them out left to right.
Card 1: The Spark Within
What is the quiet fire inside me that wants to be seen, nurtured, or expressed this season?
This card reveals the essence of your inner light—the creative force or passion that needs your attention and care right now.
Card 2: The Slow Flame
How can I honour the rhythm of rest and softness without losing my power?
This card offers guidance on embracing the winter’s slower pace while staying connected to your strength and purpose.
Card 3: The Roar to Come
What bold step or intention can I prepare for as this season unfolds?
This card points to the energy or action to cultivate as the wheel turns toward spring and new beginnings.
Reflection:
Spend a few moments journaling or meditating on your cards. How do they speak to the tension between visibility and invisibility? Between rest and creative impulse? How can you weave these insights into your Art Witch journey and daily rhythms?
Three oracle cards laying face down on a table with crystals and a cuppa
🎧 Late Winter Studio Sounds
This month’s playlist is a cosy companion for the slow, creative days of late winter. Think golden afternoon light, big mugs of tea, and quiet hours spent making, dreaming, and gently waking from seasonal slumber. These songs have been playing softly in the background of my studio as I ease through the final stretch of winter. I hope they keep you company too — whether you’re journaling, collaging, or just sinking into a much-needed moment of rest.
Until Next Time…
As we move through this Leo New Moon and into the heart of late winter, may you find power in stillness, magic in the quiet, and courage in your own creative rhythm. Whether you're dreaming at your altar, painting in the low light, or simply letting yourself rest, know that your presence matters, even (especially) when it’s unseen.
Remember to join me each Wednesday on Instagram for Little Witchy Things, small spells and soft rituals to help you stay rooted. You’ll find Cycles of Craft updates and astro insights on my Facebook page, along with behind-the-scenes peeks from the studio across my socials. And don’t miss the special Imbolc blog post dropping August 1, a gentle invitation to honour the returning light.
If you'd like to bring a little of my art magic into your space, visit my Redbubble store, every order supports my practice and means so much.
Thank you for walking this path with me.
With warmth, wonder, and wild art witchery,
A note on imagery:
Some of the visuals in this journal are created using AI tools. As a disabled artist living with chronic health conditions, I sometimes rely on these digital tools to help bring my creative vision to life, especially when energy, pain, or mobility make traditional methods difficult. I still guide every concept and style choice with care and intention, treating AI as a collaborator, not a replacement. It's one of the ways I adapt my practice to honour both my body and my creativity.
Art Witch Musings: Sigil Magic, Scorpio Full Moon and a Creative Descent
This fortnight I’ve been busy finishing off my pieces for Creativa, my upcoming exhibition with Collective 24. As predicted in the last blog, there were some late-night painting sessions to get everything finished in time, but I’m happy to report they are now ready to be delivered to the gallery this week!
We’ve started promoting the show too, so keep an eye out for it on platforms like What’s On Melbourne. Collective 24 members have also been dropping flyers off to art stores and cafes around town. If you’re not already, please follow Collective 24 on the socials to stay in the loop.
Now that the work is done, I’m taking a moment to breathe. I have……
A cream-colored desk with an open art journal featuring a white sigil, surrounded by art tools, crystals, and candlelight, evoking the energy of the Scorpio Full Moon.
Hello creative alchemists, and welcome to my 20th blog post!
The Scorpio Full Moon 2025 is upon us, and as always, my full moon report is up over on Facebook under Cycles of Craft if you're craving a deeper dive into the energies. This post, however, is more personal, part studio letter, part ritual space. As we move through this season of descent, the pull to slow down is strong. Samhain marks the beginning of the dark half of the year, and with Pluto now retrograde and Black Moon Lilith both present in Scorpio, it’s no wonder we’re being asked to pause and reflect.
Cuppa and Catch Up
This fortnight I’ve been busy finishing off my pieces for Creativa, my upcoming exhibition with Collective 24. As predicted in the last blog, there were some late-night painting sessions to get everything finished in time, but I’m happy to report they are now ready to be delivered to the gallery this week!
We’ve started promoting the show too, so keep an eye out for it on platforms like What’s On Melbourne. Collective 24 members have also been dropping flyers off to art stores and cafes around town. If you’re not already, please follow Collective 24 on the socials to stay in the loop.
Now that the work is done, I’m taking a moment to breathe. I have some important medical appointments coming up over the next couple of months, and I know I’ll need to pace myself and rest where I can. My body is asking for stillness, and for once, I’m listening.
This Full Moon blog will be the last of the fortnightly updates for now. I’ll be moving to monthly Studio Letters in alignment with the New Moon. It’s not a step back, it’s a deepening. A chance to go slower, but richer. To honour the rhythm of the darker months. To follow my own energy instead of trying to keep up with the pace of the world. It’s part of evolving my intuitive art practice and making room for more authentic, sustainable creativity.
I’ve pulled out an unfinished canvas that’s been tucked away behind my desk for months. No pressure to do anything with it just yet, but I’m enjoying seeing it again. I’m also feeling the pull to journal more, privately, intuitively. A quieter form of artmaking, and one that feels very needed.
Art Witch Musings: Sigils in Art Practice
I often include sigils in my art.
They’re usually subtle, drawn with white watercolour pencil or layered into the underpainting, but they become part of the energy of the piece. A way of weaving intention into the process. This week I made one for the Full Moon using the phrase:
 “I release creative fear and express my truth with power.”
Once the letters were condensed and rearranged into a glyph, I sketched it onto the canvas I’m working on. It’s hidden beneath layers of glaze now, but I know it’s there.
Historically, sigils were used in ceremonial magic by mystics and magicians who would encode spiritual or magical intentions into a single visual symbol. These weren't meant to be read literally, but felt or intuited symbols of desire, transformation, or divine protection. Today, they’re often used in chaos magic and intuitive witchcraft as a way of personalising your spellwork. I love that they’re both ancient and adaptable, there's something powerful about crafting a symbol that feels uniquely yours.
If you’ve never worked with sigil magic in art, they’re a beautiful way to combine ritual and creativity. You can write your intention, reduce it down by removing the vowels and repeated letters, and shape what’s left into a symbol. It doesn’t have to be perfect. It just has to feel right.
You can add it to your sketchbook, your canvas, your journal, wherever you create. Let it be a quiet spell, working behind the scenes.
A gold sigil drawn from the intention 'I release creative fear and express my truth with power,' set against a textured, moody background.
Art Journal Prompt
What creative fear are you ready to release this Scorpio Full Moon?
And what truth are you ready to speak with power?
If it resonates, try creating a sigil from your answers and including it somewhere in your art or journal this week. It can be hidden, abstract, messy, or precise. There’s no wrong way to do it, only what feels honest.
This is a deep and personal one. There’s no pressure to share it. Let it be something just for you, if that’s what feels right. This type of art journaling for healing is something I return to again and again.
An open art journal surrounded by paints, tea, and candlelight—capturing a quiet moment of creative magic.
Artist of the Season: Suzy Frelinghuysen
Born May 7, 1911, Suzy Frelinghuysen was one of the first American women to work in the abstract cubist style and one of the few to be taken seriously by the movement during her time.
Suzy studied art in New York and later joined the American Abstract Artists group, working alongside artists like Josef Albers and Piet Mondrian. She brought a distinctly lyrical edge to geometric abstraction, her compositions are bold and architectural, yet there’s a kind of flow to them that draws you in.
She was also an opera singer, performing with the New York City Opera in the 1940s and 50s. For long stretches, she stepped away from painting completely to focus on music. That rhythm feels real to me, the way we move in and out of creative phases. Suzy reminds me that it’s okay to take breaks, to return, to reinvent. That your artistry is never limited to just one form.
I love discovering women artists like Suzy who shaped art history in quiet, powerful ways. They’re part of the lineage I work within as a mixed media artist in Melbourne, exploring themes of identity, voice, and reclamation.
Cycles of Craft Update
Since the last blog, I’ve shared updates on Facebook about Samhain ritual ideas, Pluto retrograde in Aquarius, and Dark Moon Lilith in Scorpio. There’s also a Scorpio Full Moon report going live the same day as this blog.
With so much intense astrology happening in the fixed signs, I’ve been feeling it in my bones. The Scorpio-Aquarius tension is strong in my chart, and it’s asking me to dig deep, to slow down, reflect, and be honest about what needs to be composted in order for new growth to take root.
Even though the blog will shift to a monthly rhythm, there will still be plenty of updates on Instagram and Facebook, especially around moon phases, seasonal changes, and behind-the-scenes moments from the studio. Think of the monthly blog as a deeper exhale. A gathering of threads. A letter from the heart. A continuation of the Cycles of Craft journey we’ve been on for the last 6 months.
Soundtrack for the Descent
If you're like me, certain songs just belong to this time of year.
Soundtrack your descent into winter with these witchy studio tunes. A mix of moody instrumentals, dreamy folk, and atmospheric soundscapes to hold you through the quiet season. Perfect for painting, journaling, or simply brewing a strong cup of tea and sinking into the stillness.
🎧 Listen to the playlist on Spotify
Where to Find Me
I’ll be back with the new Studio Letter for the Gemini New Moon at the end of May. These monthly letters will continue to blend studio updates, seasonal energy, and a little bit of magic, just at a more sustainable rhythm for the dark half of the year.
Until then, you can:
Catch the full Scorpio Full Moon astrology update on Facebook
Follow Collective 24 on instagram and facebook for exhibition updates
And don’t miss: 25% off everything in my Redbubble store from May 15–19
May this Full Moon help you release what’s no longer serving you and remind you of your power to begin again.
A quick note: Some of the images in this post were created using AI tools. As a disabled artist, managing my energy and chronic pain means I sometimes need to find alternative ways to bring my vision to life. These tools support me in staying connected to my creative practice, even when my body needs to rest.

