Scorpio Season in the Studio: Creative Alchemy & Transformation

Abstract mixed-media: layered textures of paint, thread, and paper forming a circular mandala or spiral. One half is dark and moody (Scorpio), the other warm and luminous (Beltaine). Symbols of the moon, sun, and water subtly appear in the design.

Hello creative alchemists,

Welcome to the Libra New Moon edition of The Art Witch Journal and to a full turn of the wheel.

A year ago, I began this journey beneath the same sky, not knowing where it would lead. What began as a simple act of staying connected to my art through the cycles has become something deeper, a practice of creative alchemy, ritual, and remembering.

This edition feels like both a return and a renewal, a gentle invitation to begin again, with all the wisdom this past year has offered.

Cuppa & Catch Up: Reflections on a Year of Creative Alchemy

It’s hard to believe it’s been a full year since I began this blog. My very first post was published on the Libra New Moon and now, here we are again, circling back to where it all began.

In the early days, I shared new and full moon reflections, but as we descended into the darker half of the year, I slowed my rhythm. I began focusing on the new moon, creating deeper, more intentional editions and so, The Art Witch Journal was born. The full moon updates continued over on Facebook through my Cycles of Craft deep dives, where I explored the planetary movements and their influence on our creative and spiritual cycles.

This year also saw the birth of my Art Witch Musings, a seven-part series exploring my practice of Art Witchery: where art becomes ritual, resistance, and spiritual inquiry. Across each chapter, I journeyed through liminal spaces, symbolism, disability, alchemy, dreamwork, and the unseen currents that shape my creative process. It has become part memoir, part manifesto, and part spell for becoming.

I began this project after being discharged from hospital, as a way to continue my art practice when I could no longer pursue my studies. It became my way of staying connected, of working out what art looked like for me now, in this new body and new life. That’s still something I’m discovering.

Lately though, I’ve felt a disconnection from my art and my spirituality, a kind of creative numbness, so I’m tracing my way back to what once ignited that spark. I’m returning to the magical space where the occult, the esoteric, and creativity intertwine. I want to reconnect with the sense of wonder I felt at art school, when art and spirit spoke the same language.

I’m revisiting the artists who first inspired me: Hilma af Klint, Georgiana Houghton, Rosaleen Norton. I’m delving back into the teachings of Helena Blavatsky and Annie Besant, exploring the worlds of Occult and Symbolist Art. It feels like a return to my creative roots and, perhaps, the beginning of something new.

As this cycle around the sun comes to a close (my birthday is next month!), I’ve been reflecting on how much I’ve outgrown my old life. My body works differently now, and I’m learning how to fit into the world again, how a disabled artist, and Witch, shows up. First for myself, and then for the world. I’ve been exploring ways to infuse my everyday life with magic again, finding the small rituals that help me feel connected, grounded, and whole.

Alongside all this deep contemplation, I’ve also started venturing out more, which has been huge for me. I’ve begun using community transport for appointments, a big step toward reclaiming my independence. I’ve been learning how to navigate public transport and taxis with my electric wheelchair and adjusting to this new rhythm of movement.

I even attended an art workshop at the local community house, my first in quite a while, and it felt wonderful to spend time creating with others again. I’ve also made two trips to the NGV this month: first for the Kimono exhibition, and later to see the French Impressionists. That second trip was especially special, I took the train in, met friends, saw beautiful art, and went out for dinner before meeting my driver to come home.

I also had my first hydrotherapy session in months, I’d forgotten how much this Scorpio needs the water. In the pool, I feel free again; the water holds me, allowing movement that my body can’t manage on land.

Closer to home, our community garden is thriving. I love rolling down to pick something fresh for dinner or grabbing a handful of herbs to make a cuppa. These small moments bring so much joy and connection to my days.

I also have some exciting news, my new piece “Suspended” has been accepted into this year’s Summer Show! I can’t wait to share more about it soon. The work explores the theme of coercive control, and I’ve launched a petition calling on the Victorian Government to make it a criminal offence. I’d love your support in signing and sharing it.

It’s been a big month, and an even bigger year. I still feel like I’m in this liminal in-between space, unsure exactly what my next steps look like. But for the first time in a long while, I feel ready to start finding out.

What does that mean for The Art Witch Journal and my other offerings? I’m not quite sure yet. I can feel change is in the air and I’d love for you to come along on the journey with me.

Art Witch Musings: The Alchemy of Creation and the Turning of the Wheel

Chapter Seven

The artwork is not the beginning. It is the residue of a long alchemical process; the ashes left behind after something invisible has burned itself into being. By the time a piece reaches the wall, it has already lived a thousand quiet lives. It has been dreamt, dissolved, forgotten, reimagined, layered, and reborn. It carries every fragment of the journey that brought it here. In this sense, the finished work is not a product. It’s a record. A relic. A witness. The visible evidence of an unseen pilgrimage. What the viewer sees is only the surface; beneath it lies the compost of emotion, intuition, and ritual that shaped it into form.

I’ve always felt that art-making is a kind of conjuring, a process of calling something from the invisible into the material world. But what comes through is not always what I expect. The act of creation often feels like holding open a doorway, letting something ancient and wordless speak through pigment, thread, texture, and symbol. I do not control it. I collaborate with it.

Each work begins as a whisper: a colour that won’t leave me alone, a recurring dream, a line of poetry, a symbol that keeps reappearing in my periphery. These small obsessions become anchors. They draw me in. They ask to be made visible. I move through the process like ritual, slowly, deliberately, with reverence. Materials are chosen intuitively. I let them speak. Sometimes a piece demands to be rough, unpolished, unfinished. Other times it calls for precision and layering, as though each mark is sealing a spell. What matters most is that I listen. That I allow the piece to tell me when it’s ready, or when it needs more time in the dark. In truth, the artwork and I transform together. Every creation reshapes me, as surely as I shape it. We meet in the middle, me, the maker, and the work, the mirror. Between us lies the threshold where meaning is born.

When the piece finally leaves the studio, it carries with it the imprint of all that it has absorbed: my thoughts, my body, my breath, my pain, my tenderness, my resistance, my devotion. It carries the energy of the symbols, the moon cycles, the dreams, the spells, the long nights of listening. To stand before the work is to stand before the echo of all that unseen labour. I think of each piece as a kind of altar, something that holds space for what words cannot contain. They are offerings to the collective, to the invisible, to the great mystery that animates all creative life. They are portals through which others might glimpse what I have glimpsed. There is humility in this process.

Once the work is finished, it no longer belongs to me. It belongs to the world, to whoever meets it with open eyes. It continues to evolve in the gaze of others; in the energy of spaces, it inhabits. Like any living thing, it changes with time, light, and perception.

This is the strange paradox of being an artist-witch: the making is intimate, solitary, inward, but the result is an act of offering, a reaching outward. What was once private becomes public. What was once alchemy becomes artifact. To release the work is both loss and liberation, but that is the nature of cycles. Creation, transformation, release, rest. The wheel turns again. The artwork is not the end of the journey, but a threshold into the next one. Each finished piece is a seed for what comes after, a signal from the unseen that the conversation continues. So, it does.

Even now, as I sit with words instead of paint, the winter that wrapped around me like a cloak, I can feel the next work stirring beneath the surface. It waits in the silence, patient and knowing. When the time is right, it will emerge, carrying with it everything I’ve learned, everything I’ve shed, everything I’ve dreamed. When it does, I will meet it once again at the threshold, maker, medium, witness, ready to begin the ritual anew.

Epilogue:

The Turning of the Wheel, every cycle ends where it began, in the quiet. The threshold that opened months ago now begins to close, not with finality, but with a deep exhale. The words, the art, the slow revelations of this season have all been part of one long conversation with the unseen. Now, as winter loosens her hold, I can feel the faint hum of something shifting beneath the surface. This work, these chapters, this unfolding, has been an act of devotion. A listening. A mapping of the unseen landscapes that shape both art and life. Each piece of writing has been a spell of its own, a reflection of the cycles that govern not just the natural world, but the creative one too.

As I look back across this body of work, I see it for what it truly is: a record of becoming. Each chapter carried a piece of my voice, a fragment of my practice, a seed of my transformation. They form a constellation of moments that speak to the rhythm of living and creating in alignment with something larger than myself. Now, the energy begins to turn again. I can feel it in my bones, in that subtle stirring that comes before a new season, before a new chapter of life and art. I don’t yet know what form it will take, and that’s the beauty of it. Mystery is a necessary companion to creation. The unknown is fertile ground.

So, I close this cycle with gratitude, for the stillness that held me, for the magic that revealed itself through the quiet, for the way art continues to find me even in the dark. The wheel turns. The next season waits. And I, once again, stand at the threshold.

An Art Witches Studio

Little Witchy Things: Everyday Rituals for Balance, Renewal & Transformation

The Alchemy of the In-Between

This cycle invites us to linger at the threshold, that liminal space between endings and beginnings where art, intuition, and transformation quietly converse. Creation doesn’t always arrive as a burst of inspiration; sometimes it hums beneath the surface, asking only that we listen. The following practices are ways to honour that quiet alchemy, to nurture your connection with the unseen as it moves through your daily life.

Begin by noticing what is shifting within you. Libra season asks for balance, while Scorpio teaches us to surrender. Between them lies a subtle point of transformation, a moment to breathe before the next becoming. You might mark this by creating a small altar or workspace that mirrors that balance: light and dark objects side by side, soft and textured materials sharing space. Let it be a reflection of your own in-between state, a visual echo of your unfolding.

You can also tend your creative flame through acts of gentle devotion. Before you begin any creative work, pause to acknowledge the unseen labour already woven into your art, the ideas dreamt, the emotions composted, the invisible threads that brought you here. A simple bow of the head, a hand over your heart, or the lighting of a candle is enough. These small recognitions anchor your practice in reverence.

As the Sun moves into Scorpio, allow water to become your teacher. Creativity, like emotion, needs movement to stay alive. Stir a bowl of water clockwise before beginning your work, imagining it awakening your inner current. When you’re finished, pour it out under the sky in gratitude. This act reminds you that release is as sacred as creation, that every piece, every season, must one day flow back to the source.

Around Beltaine, when the air warms and the earth hums with new life, invite pleasure back into your process. Choose materials that delight your senses, colours you love, textures that feel alive beneath your fingers. Let joy be your offering to the fire of creation. Beltaine reminds us, that art, too, is an act of desire, a way of saying yes to being here, in this body, on this earth.

Finally, as the Taurus Full Moon rounds the cycle, return to your body. Rest your hands on your lap, close your eyes, and feel the quiet pulse of your own life. This is where all creation begins, not in striving, but in remembering that you are part of the rhythm. Let this be your ritual of renewal: a moment of stillness that says, I am ready for what comes next.

Artist of the Season: Claude Cahun – Transformation, Identity & Creative Rebellion

Claude Cahun (1894 – 1954)

Born Lucy Schwob on October 25, 1894, in Nantes, France, Claude Cahun was an artist, writer, and performer whose work blurred the boundaries between identity and illusion, masculine and feminine, self and shadow. She adopted the gender-neutral name Claude Cahun in her early twenties, signalling a lifelong rejection of fixed categories. From the beginning, her life and art were acts of transformation, a quality that makes her an ideal muse for Scorpio season, a time of shedding skins and revealing deeper truths.

Cahun grew up in an intellectual Jewish family connected to the publishing world, her uncle was the Symbolist writer Marcel Schwob, and her father ran a newspaper. As a teenager she began writing essays that questioned social norms and photographed herself in theatrical guises: a boy, a saint, a doll, a dandy. These early images foreshadowed the themes that would define her life’s work, metamorphosis, defiance, and the search for an authentic self beneath imposed identities.

In 1909 she met Suzanne Malherbe, who became both her life partner and artistic collaborator. Malherbe later adopted the pseudonym Marcel Moore, and together they formed one of the most fascinating creative partnerships of the twentieth century. Their bond transcended the boundaries of romance, art, and activism, an alchemical fusion of two souls devoted to freedom of expression. The pair moved to Paris in the early 1920s, immersing themselves in avant-garde circles that included André Breton, Man Ray, and other Surrealists and Dadaists. Although never fully embraced by those male-dominated movements, Cahun shared their fascination with the unconscious and the dream world, yet her approach was distinctly personal and political.

Her photographic self-portraits, produced mainly between the 1910s and 1930s, are now considered precursors to contemporary performance and conceptual art. In them, Cahun stages herself as multiple beings, androgynous, masked, vulnerable, confrontational, challenging the viewer’s gaze and dismantling the certainty of gender. Each image is a ritual of transformation, an invocation of the inner and outer selves in dialogue. Her written works, including Aveux non Avenus (“Disavowals,” 1930), blend autobiography, manifesto, and prose-poetry, rejecting the idea of a singular, stable identity.

In the 1930s, Cahun and Moore left Paris for Jersey, one of the Channel Islands, seeking a quieter life. Then, when the Nazis occupied the island during World War II, the two women turned their creativity into resistance. Using pseudonyms, they produced and distributed anti-Nazi leaflets, surrealist collages of text and image meant to demoralise the occupiers. Arrested in 1944, they were sentenced to death, but the war ended before the sentence was carried out. Their courage and subversive imagination exemplify Scorpio’s shadow-side strength: fearless, strategic, and transformative even in the face of destruction.

After the war, Cahun’s health declined, and she died in 1954. For decades her work was largely forgotten, overshadowed by the Surrealists she had influenced but never fully joined. It wasn’t until the 1980s that her photographs were rediscovered and celebrated for their radical exploration of identity and resistance. Today, Claude Cahun stands as a visionary figure whose work bridges art and activism, ritual and rebellion, a forerunner of queer and feminist art who made her own life a spell of transformation.

Claude Cahun feels like the perfect companion for this Scorpio season, an artist who understood transformation not as metaphor, but as lived truth. Through her lens, identity became ritual; self-portraiture became an act of rebellion. Scorpio teaches us to strip away illusion and confront what lies beneath, and Cahun embodied that descent with fearless devotion.

Her work invites us to ask: Who am I beneath the masks I wear? In her shifting forms, we glimpse a kind of creative alchemy, the courage to dissolve and re-emerge, again and again, truer each time. As the wheel turns and we emerge into the light half of the year, Cahun reminds us that the process of becoming visible often begins in the shadows.

Art Journal Prompt: The Threshold Between Worlds – Exploring Change & Becoming

The Threshold Between Worlds

This cycle invites you to explore the spaces between, between endings and beginnings, shadow and light, seen and unseen.

In your art journal, create a page that reflects your own threshold moment.

• What are you shedding?

• What are you stepping toward?

Use mixed media to layer these ideas, perhaps collage two contrasting images or colours to represent what was and what is emerging.

Write a single sentence or phrase that feels like your guiding spell for this next chapter.

Art Witch Desk and open Journal

Cycles of Craft: Libra New Moon to Taurus Full Moon – Astrology for Creative Flow

As the Libra New Moon rises on October 21st, we begin a new creative cycle under the sign of balance, beauty, and renewal. This is the Moon that asks us to soften into harmony, to find equilibrium between giving and receiving, doing and being. It’s a tender reminder that artistry, like life, flourishes when we move from a place of grace and inner peace.

That same night, the Orionid meteor shower lights the sky as Mercury and Mars meet in conjunction, igniting sparks of communication and action. Words become wands, thoughts become catalysts, and ideas rush forward with clarity and urgency. This is a moment to speak your truth, to write, paint, or craft from instinct, but also to pause before reacting. The stars are alive with movement; choose yours with intention.

By October 22nd, the Sun slips into Scorpio, guiding us deeper into the realm of shadow and transformation. Here, creation becomes alchemy, a descent into the underworld of feeling, mystery, and magic. Scorpio season asks for honesty and depth: to shed old skins, to honour what’s dying away, and to create from the raw, untamed parts of ourselves.

As Beltaine approaches, here in the Southern Hemisphere, celebrated on October 31st but astronomically falling on November 8th, the earth hums with life. It is a festival of passion, pleasure, and creative fire, the dance of desire made manifest. This turning of the Wheel celebrates fertility and the blooming of ideas sown in earlier months. It is an invitation to move, to make, and to celebrate the joy of being alive in your body and your craft.

On November 4th, Mars enters Sagittarius, shifting our creative flame from introspection to exploration. After Scorpio’s depth, this transit brings expansion and vision, a wild spark that seeks adventure and truth. Follow curiosity wherever it leads; it may guide you to new mediums, fresh inspiration, or unexpected collaborations.

Finally, the Full Moon in Taurus on November 6th steadies the pulse of all this change. Grounded and sensuous, this lunar light invites us to slow down and savour what we’ve cultivated. Taurus reminds us that art, like the body, needs care and consistency. Celebrate what has bloomed, your progress, your persistence, and the quiet beauty of your becoming.

We have a busy couple of weeks in the sky coming up, make sure you’re following me over on facebook for more in-depth reports.                                                                            

A circular seasonal collage representing the journey from the Libra New Moon to the Taurus Full Moon. Half the image glows with warm Beltaine light, flowers, sunlight, and creative fire, while the other half rests in Scorpio’s mystery, dark water, moonlight, and shadow. Subtle symbols of balance, transformation, and renewal appear around the circle: the moon phases, stars, and botanical motifs. Soft, ethereal, and textured, blending earthy tones with gold, rose, and indigo.

Scorpio Season in the Studio: Witchy, Sultry, Moody Tunes for Creative Transformation

The vibe for this month’s playlist, Scorpio Season in the Studio, a potion of old and new to keep the creative cauldron simmering. Expect witchy, sultry, moody textures and a heartbeat you can work to: Fleetwood Mac’s steady spellcraft, Patti Smith’s raw incantations, Lorde’s lunar pop, Florence + The Machine’s fever-dream swell, and more shadows-and-spark in between. It’s music for thresholds and late night making, a soundtrack to slip you into deep focus, soft rebellion, and slow-burn devotion while the season does its alchemy.

Closing the Circle & the Cycle: Reflections on Transformation & the Turning Year

As we close this Libra New Moon edition of The Art Witch Journal, the wheel continues to turn. The air carries the first whispers of Scorpio’s depth, and the earth begins to warm with Beltaine’s promise. It’s a season of balance tipping into transformation, a reminder that endings are never endings at all, only doorways to new beginnings.

This cycle invites us to move slowly, to trust the unseen process of becoming. Whether you’re resting, dreaming, or creating, know that your art and your life are always in motion, even in stillness. Honour the quiet stages of your journey. Let your rituals be gentle, your intentions soft, and your creativity guided by curiosity rather than certainty.

Over the coming weeks, I’ll share more reflections and updates over on my facbook page with Cycles of Craft, where we’ll explore Scorpio season, Mars in Sagittarius, and the grounding magic of the Taurus Full Moon. Little Witchy Things will be continuing over on the socials too. I am experimenting with Substack at the moment so I will continue to share things over there but will keep you posted on the Instagram when I do this. You can also get 25% off over at my Redbubble Store too, there’s still time to grab something in time for Halloween.

Until next time, may your art be your ritual, your rest your devotion, and your days woven with quiet magic.

 A Note on the Imagery

Some of the images in this journal are created using AI-assisted tools. As a disabled artist living with chronic health conditions, I use AI as part of my creative process, a way to visualise ideas that my body can’t always physically bring to life. It allows me to keep imagining, storytelling, and sharing my vision when traditional studio work isn’t always possible. Every image is still part of my craft, guided by my words, intuition, and artistic direction, another form of creative alchemy that helps me stay connected to my art and community.

Art Witch Musings: Sigil Magic, Scorpio Full Moon and a Creative Descent

A cream-colored desk with an open art journal featuring a white sigil, surrounded by art tools, crystals, and candlelight, evoking the energy of the Scorpio Full Moon.

Hello creative alchemists, and welcome to my 20th blog post!

The Scorpio Full Moon 2025 is upon us, and as always, my full moon report is up over on Facebook under Cycles of Craft if you're craving a deeper dive into the energies. This post, however, is more personal, part studio letter, part ritual space. As we move through this season of descent, the pull to slow down is strong. Samhain marks the beginning of the dark half of the year, and with Pluto now retrograde and Black Moon Lilith both present in Scorpio, it’s no wonder we’re being asked to pause and reflect.

Cuppa and Catch Up

This fortnight I’ve been busy finishing off my pieces for Creativa, my upcoming exhibition with Collective 24. As predicted in the last blog, there were some late-night painting sessions to get everything finished in time, but I’m happy to report they are now ready to be delivered to the gallery this week!

We’ve started promoting the show too, so keep an eye out for it on platforms like What’s On Melbourne. Collective 24 members have also been dropping flyers off to art stores and cafes around town. If you’re not already, please follow Collective 24 on the socials to stay in the loop.

Now that the work is done, I’m taking a moment to breathe. I have some important medical appointments coming up over the next couple of months, and I know I’ll need to pace myself and rest where I can. My body is asking for stillness, and for once, I’m listening.

This Full Moon blog will be the last of the fortnightly updates for now. I’ll be moving to monthly Studio Letters in alignment with the New Moon. It’s not a step back, it’s a deepening. A chance to go slower, but richer. To honour the rhythm of the darker months. To follow my own energy instead of trying to keep up with the pace of the world. It’s part of evolving my intuitive art practice and making room for more authentic, sustainable creativity.

I’ve pulled out an unfinished canvas that’s been tucked away behind my desk for months. No pressure to do anything with it just yet, but I’m enjoying seeing it again. I’m also feeling the pull to journal more, privately, intuitively. A quieter form of artmaking, and one that feels very needed.

Art Witch Musings: Sigils in Art Practice

I often include sigils in my art.

They’re usually subtle, drawn with white watercolour pencil or layered into the underpainting, but they become part of the energy of the piece. A way of weaving intention into the process. This week I made one for the Full Moon using the phrase:
“I release creative fear and express my truth with power.”

Once the letters were condensed and rearranged into a glyph, I sketched it onto the canvas I’m working on. It’s hidden beneath layers of glaze now, but I know it’s there.

Historically, sigils were used in ceremonial magic by mystics and magicians who would encode spiritual or magical intentions into a single visual symbol. These weren't meant to be read literally, but felt or intuited symbols of desire, transformation, or divine protection. Today, they’re often used in chaos magic and intuitive witchcraft as a way of personalising your spellwork. I love that they’re both ancient and adaptable, there's something powerful about crafting a symbol that feels uniquely yours.

If you’ve never worked with sigil magic in art, they’re a beautiful way to combine ritual and creativity. You can write your intention, reduce it down by removing the vowels and repeated letters, and shape what’s left into a symbol. It doesn’t have to be perfect. It just has to feel right.

You can add it to your sketchbook, your canvas, your journal, wherever you create. Let it be a quiet spell, working behind the scenes.

A gold sigil drawn from the intention 'I release creative fear and express my truth with power,' set against a textured, moody background.

Art Journal Prompt

What creative fear are you ready to release this Scorpio Full Moon?

And what truth are you ready to speak with power?

If it resonates, try creating a sigil from your answers and including it somewhere in your art or journal this week. It can be hidden, abstract, messy, or precise. There’s no wrong way to do it, only what feels honest.

This is a deep and personal one. There’s no pressure to share it. Let it be something just for you, if that’s what feels right. This type of art journaling for healing is something I return to again and again.

An open art journal surrounded by paints, tea, and candlelight—capturing a quiet moment of creative magic.

Artist of the Season: Suzy Frelinghuysen

Born May 7, 1911, Suzy Frelinghuysen was one of the first American women to work in the abstract cubist style and one of the few to be taken seriously by the movement during her time.

Suzy studied art in New York and later joined the American Abstract Artists group, working alongside artists like Josef Albers and Piet Mondrian. She brought a distinctly lyrical edge to geometric abstraction, her compositions are bold and architectural, yet there’s a kind of flow to them that draws you in.

She was also an opera singer, performing with the New York City Opera in the 1940s and 50s. For long stretches, she stepped away from painting completely to focus on music. That rhythm feels real to me, the way we move in and out of creative phases. Suzy reminds me that it’s okay to take breaks, to return, to reinvent. That your artistry is never limited to just one form.

I love discovering women artists like Suzy who shaped art history in quiet, powerful ways. They’re part of the lineage I work within as a mixed media artist in Melbourne, exploring themes of identity, voice, and reclamation.

Cycles of Craft Update

Since the last blog, I’ve shared updates on Facebook about Samhain ritual ideas, Pluto retrograde in Aquarius, and Dark Moon Lilith in Scorpio. There’s also a Scorpio Full Moon report going live the same day as this blog.

With so much intense astrology happening in the fixed signs, I’ve been feeling it in my bones. The Scorpio-Aquarius tension is strong in my chart, and it’s asking me to dig deep, to slow down, reflect, and be honest about what needs to be composted in order for new growth to take root.

Even though the blog will shift to a monthly rhythm, there will still be plenty of updates on Instagram and Facebook, especially around moon phases, seasonal changes, and behind-the-scenes moments from the studio. Think of the monthly blog as a deeper exhale. A gathering of threads. A letter from the heart. A continuation of the Cycles of Craft journey we’ve been on for the last 6 months.

Soundtrack for the Descent

If you're like me, certain songs just belong to this time of year.

Soundtrack your descent into winter with these witchy studio tunes. A mix of moody instrumentals, dreamy folk, and atmospheric soundscapes to hold you through the quiet season. Perfect for painting, journaling, or simply brewing a strong cup of tea and sinking into the stillness.

🎧 Listen to the playlist on Spotify

Where to Find Me

I’ll be back with the new Studio Letter for the Gemini New Moon at the end of May. These monthly letters will continue to blend studio updates, seasonal energy, and a little bit of magic, just at a more sustainable rhythm for the dark half of the year.

Until then, you can:

• Catch the full Scorpio Full Moon astrology update on Facebook

• Follow Collective 24 on instagram and facebook for exhibition updates

• And don’t miss: 25% off everything in my Redbubble store from May 15–19

May this Full Moon help you release what’s no longer serving you and remind you of your power to begin again.

A quick note: Some of the images in this post were created using AI tools. As a disabled artist, managing my energy and chronic pain means I sometimes need to find alternative ways to bring my vision to life. These tools support me in staying connected to my creative practice, even when my body needs to rest.

Art Witch Musings: Studio Notes, Magic & Momentum

Hello Creative Alchemists,

It’s the full moon in Libra this week and while we’ve moved our deeper astrology dives to social media, I still want to take a moment to acknowledge the energy of this lunation. Libra brings themes of harmony, balance and beauty, and after the eclipse season, Venus and Mercury retrogrades, this full moon feels like a moment to catch our breath and consolidate all that’s shifted. Keep an eye out on the socials for the deep dive.

Cuppa + Catch Up: Studio Happenings and Collective 24 News

Cuppa Time

Grab your favourite cuppa, light a candle, and get comfy, there’s lots to catch you up on.

Let’s start with the exciting news from Collective 24: we’ve secured a gallery and exhibition dates! We’re beyond thrilled to be exhibiting at Kindred Cameras Gallery in Docklands during the term break, from May 25 – June 3, with our opening night on May 30. We knew this was a big ask, a newly formed collective requesting their own dates from a gallery is not the usual way things are done (typically, galleries give you the dates), but we asked anyway… and they said yes! Not only can the gallery facilitate our requested time, but they also offer a package to curate and hang the show for us. How amazing is that?

This gives us space to focus on completing our work and planning an epic opening night. And yes, it’s fully accessible, which was non-negotiable for us. Accessibility in the arts matters, not just for me as a wheelchair user, but for everyone who wants to create and engage with art.

In light of the exhibition announcement, I’ve stepped up our profile sharing schedule on socials from weekly to daily, so I can start promoting both our artists and the exhibition. Starting next week, we will start taking a deeper dive into each of the artists and find out a little bit more about their art. If you’re not already following Collective 24 on Instagram and Facebook, come join us!

Inside the Studio: Sculpture, Layers + A Juicy Workshop

Back in the studio, I’ve been continuing to explore texture and layers. I made a fun little paper mâché sculpture last week inspired by seed pods, I even shared a reel of the process, so if you missed it, head to the grid to check it out.

I also signed up for a 5-day mixed media workshop with Art of Flow. I know, I know… as if I wasn’t busy enough! But it’s all about juicy layers and mixed media magic, and I couldn’t resist. One hour a day, and by the end of the week I should have a finished canvas ready to hang. Or at least some new techniques and a very messy art table.

I also have one more piece to finish for the Incognito Art Show.

More big news, I’m honoured to share that my “Kintsugi of the Soul” torsos won Round 3 of Violence Prevention Australia’s “Stop it Before it Starts” art competition. Voting is now open for the People’s Choice Award, and I would so appreciate your support if you can take a moment to vote for my work.

Accessibility + Advocacy: Life Outside the Studio

Outside the studio, things have been full on. I’ve had a stack of appointments with my healthcare team and have started seeing some new practitioners. My occupational therapist is doing all the behind-the-scenes advocacy work to try and get me an electric wheelchair, something that would make a huge difference to my daily life and independence. I’m dreaming of rolling down to my local café solo for a morning coffee. What can I say, I’m an Art Witch who lives in Melbourne, it’s the vibe!

Art Witch Musings: Colour Magic + Altar Building

Last week on the socials, we explored Colour Magic. As artists, we’re already familiar with colour theory, but colour has deep energetic and symbolic meanings too.

My palette has shifted naturally with the season, deep ochres, rusts, and warm ambers are showing up a lot. And gold. Always gold. Even when I try not to include it in a piece, it never feels finished until I add that shimmer.

Gold has long been linked to sun magic. It represents illumination, courage, and wisdom. It's also associated with divination, insight, creativity and happiness. In ancient cultures, gold was used in rituals and ceremonies, often symbolising divinity and the sacred.

This week, we’re looking at how building an Art Witch Altar can support both your creative and spiritual practice.

Here are some things you might include on your altar:

• Crystals for creativity (like Carnelian, Citrine, or Clear Quartz)

• A small candle to represent illumination

• Seasonal objects like leaves or seed pods

• A journal or notebook

• Tools you love, paintbrushes, pencils, or scraps of paper

• A tarot or oracle card pull

Altars don’t need to be big or fancy. A windowsill, a small shelf, even a corner of your desk will do. The key is creating a sacred space where you can drop into creative flow and honour your craft.

An art desk with Art Witch Altar items

Art Journal Prompt: Full Moon in Libra

This full moon invites us to reflect on the balance between caring for others and caring for ourselves.

Art Journal Prompt:

What does balance look like in your creative life? Where are you being called to restore harmony, between rest and making, between giving and receiving, between solitude and connection?

Let your page be a mirror.

Art Journal

Artist of the Season: Elizabeth Catlett

Our featured artist this season is Elizabeth Catlett (1915–2012), an African American and Mexican sculptor and printmaker whose work centred around themes of race, gender, motherhood, and resistance.

Catlett’s work was both politically engaged and deeply personal. She’s best known for her powerful linocut prints and sculptures that depict Black women with strength and dignity. Her career spanned more than 70 years, and her art often carried messages of empowerment, particularly for working class women and communities of colour.

Some of her iconic works include:

• Sharecropper (1952) — a striking linocut print

• Homage to My Young Black Sisters (1968)

• Mother and Child (multiple versions)

She believed art should serve the people and speak truth to power, a sentiment that still rings true in today’s world. Her influence can be felt across generations of feminist and activist artists.

Studio Tunes

I’ll leave you with this Autumn Vibes Playlist, a musical companion to this season of slow transformation and golden light.

Crafting Magic in the Mess

As the leaves turn and the light shifts, I’m feeling the rhythm of the season deep in my bones, that blend of letting go and digging deeper. Whether I’m layering gold leaf on canvas or shaping seed pods in paper mâché, I keep returning to this truth: there’s magic in the making, even in the mess. Especially in the mess. Thank you for being part of this creative unfolding, for showing up, reading along, and weaving your own threads into this ever-growing tapestry.

If you’d like to follow more of my daily art practice, studio rituals, and behind-the-scenes updates, you can find me over on Instagram and Facebook at @anges.studio. You can also check out my Redbubble store for art prints and goodies, or dive into more blog musings on my website at www.angesstudio.com. Until next time, keep crafting your own kind of magic.

With love and creativity,